Other features, including Text-Based Editing and background auto save in Premiere Pro and the Properties panel in After Effects are currently in public Beta and will be released in May.What should you look for in a video editing software? If you are in the business of video editing or required to prepare videos for sales and marketing, the editing software should cover the whole gamut – from basic features to advanced capabilities – giving you the flexibility to take in a whole range of projects. Many of these features, such as Automatic Tone Mapping in Premiere Pro and ACES/OCIO color management in After Effects, have been released in recent updates. You don’t have to be an IT expert to use the new diagnostic tools for things like resetting your preferences or troubleshooting plugins. This year we will add over 50 more presets to help you create animations without having to start from scratch.Īlong with improving your workflows, we’re helping you keep After Effects running in peak form. Last fall we added 50 animation presets, which After Effects artists loved. We’ve changed Colorama so that it defaults to the native After Effects color picker, a feature request that saves clicks every time you use it. And now new keyboard shortcuts make your track mattes workflow even easier. Selectable Track Mattes was a highly requested feature that saves time by letting you reuse the same matte for multiple layers. We’ve been listening to our users and focusing on changes that help you work faster in After Effects. And if you’re working with other artists or facilities, ACES and OpenColorIO color management make it easy to ensure consistent color when handing off assets. ACES is a color interchange standard with an extremely wide color gamut, for more dynamic range and richer image detail. Whether you’re a seasoned pro or just starting out in motion design, the Properties panel shortens the distance between ideas and execution in After Effects.Īfter Effects now offers native support for ACES and OpenColorIO. The Properties panel also works with Essential Properties, saving you even more time when you need to create multiple versions of the same type of graphic. It’s easier to try things out and iterate on designs. Instead of drilling down into layers to make adjustments, controls are presented to you contextually, right beside the composition window. Modeled on similar panels in Adobe Illustrator and Adobe Photoshop, the Properties panel in After Effects makes motion design faster. A complete version history tracks each change in the Team Project and Sequence Locking ensures no one else can make edits to something you’re working on. Updates for collaborative editing make it easy to work together with other editors in the same project. New language support for Speech to Text brings Premiere Pro’s captioning toolset to Danish, Dutch, Norwegian, and Swedish speakers, for a total of 18 languages around the world. Other improvements shave valuable seconds off tasks, like dragging to select track targets, more accurate masking, faster motion graphics templates, and the ability to bulk edit titles in the Timeline. There’s new format support and GPU acceleration for ARRI, RED, and more - and with new launch reset options, it’s easy to perform routine maintenance tasks, like clearing your media cache. Not only is Premiere Pro faster and more reliable, but we’ve also added background auto save, which saves backups as you work, without interrupting your flow. Unlike LUTs, tone mapping is non-destructive, and you can apply color grading across your media, without the risk of artifacts or clipping highlights.īeyond the new features, we’re doubling down on delivering improvements you’ve asked for. Automatic tone mapping converts the wider color gamut of HDR files, like iPhone HLG, and popular log formats, like Sony S-Log, so that they display correctly in standard sequences. Today’s cameras record an amazing amount of color and detail, so usage of log and other HDR formats is growing. Automatic tone mapping makes it easy to work with different media and color spaces in the same timeline, without requiring LUTs or custom color settings.
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